Related Paintings of unknow artist :. | dostojevskijs andra hustru anna i dostojevskijrmmet i histeriska museet moskva | A pacific vegetarian | Arab or Arabic people and life. Orientalism oil paintings 458 | Portrait of Gerolamo di Romano called Romanino | Hedelandskab_med_en_dagvogn |
Related Artists:
Jacob Koninck
(c. 1615, Amsterdam - c. 1695, Copenhagen), was a Dutch Golden Age landscape painter. According to Houbraken he lent his books on perspective to Johannes Verkolje, who became better than he was at perspective drawing.He was a disciple of Adriaen van de Velde who became a popular painter in Copenhagen where he painted for the court of Christian V of Denmark. According to the RKD he was the uncle of Salomon Koninck, a pupil of David Colijns and became the teacher of his son Jacob II and his younger brother Philips Koninck.He was in Dordrecht from 1633-1636, Rotterdam from 1637-1645, The Hague from 1647-1651, back in Amsterdam in 1658 (when he probably lent young Verkolje his perspective books), and moved to Denmark in 1676.
Edouard Castres
Swiss 1838 - 1902 Swiss painter. His father was a clock engraver, and he initially trained as an enamellist. He took drawing lessons from Barthelemy Menn and attended the Ecole des Beaux-Arts in Paris from 1859. He soon decided to concentrate on oil painting. He was assistant to the genre and figure painter Eduardo Zamacois y Zabala (1842-71). In the Franco-Prussian War he joined the Red Cross, moving into Switzerland at the beginning of February 1871 with the army led by Gen. Bourbaki. He painted military scenes from sketches carried out on the battlefield and received consistently good reviews, which also brought financial success. He was commissioned by a Belgian panorama company to record the entry of the French army into Switzerland, which he had witnessed in 1871. He spent the winter of 1876-7 on site at Les Verrieres, painting preparatory studies, and in 1881 he completed the panorama, Gen. Bourbaki's Army Retreating into Switzerland (Lucerne, Panorama). He was aided by nine assistants, recruited from among Menn's pupils, who included Ferdinand Hodler. The work was exhibited in Geneva and was brought to a rotunda in Lucerne in 1889. Among panorama paintings it is a work of a high order: despite the colossal dimensions and the barely comprehensible mass of people depicted, the dominant impression is of individual suffering.
Peeters, Gilles
Flemish, 1612-53